To not drop a reputation, however I used to be at a cocktail party as soon as with Robert De Niro (thump!) who stated the actress he admired most was Barbara Harris.
De Niro was a pupil on the Actors Studio in New York within the 1960s the place Harris, then on the verge of Broadway stardom, was a member. She rehearsed scenes and monologues in entrance of De Niro and different aspiring younger actors, who have been awed by her type and approach.
Harris died this week at 83 from lung most cancers, after acclaimed performances in Broadway’s “On a Clear Day You Can See Forever” and movies together with “Nashville,” “Household Plot” and “The Seduction of Joe Tynan.”
She might have been an enormous star, says her “On a Clear Day” co-star John Cullum, however she by no means pushed for it.
“She was so quick and so proficient,” he says. “She might have been tops in her area, however I don’t assume she thought performing was an important factor you might do along with your life.”
She’d drop out of sight after a present closed and associates could be stunned to see her working at an artwork gallery within the Village or, in a single occasion, behind the fragrance counter at Bloomingdale’s.
She was eccentric, onstage and off.
“You by no means knew what she was going to do,” Cullum says. “She liked to improvise. If I had a line — ‘Why are you smiling?’ — she’d frown. It was charming, but it surely was tough. She’d be floating in every single place, and the viewers liked it.”
And there was all the time an edge to her efficiency.
“She was all the time on the verge of one thing,” he says. “She by no means went bananas, however there was one thing lurking there, one thing a bit of darkish.”
Offstage, Harris would typically gown like a bag girl and duck out of the theater earlier than VIPs might come backstage to fulfill her.
She had little curiosity in selling herself, or her present.
When “Clear Day” started to wilt on the field workplace, the press agent lined up a Time journal profile of her. A Time story, again within the ’60s, all the time offered tickets.
However on the final minute, Harris refused to do the interview.
“I by no means knew why,” Cullum says. “She simply didn’t need to do it. It didn’t matter to her … And the present closed.”
One in every of Edward Albee’s favourite actors was Brian Murray, who died this week at 80.
“You by no means have to fret about your play when you will have an actor like Brian in it,” Albee as soon as instructed me. “He doesn’t get issues improper.”
Murray, who was born in South Africa, appeared on Broadway in “Rosencrantz and Guildenstern Are Lifeless,” “The Little Foxes” and an acclaimed revival of “The Crucible.”
He had exceptional stage chemistry with one other of Albee’s favourite actors, Marian Seldes. They turned in memorable performances in Albee’s 2001 play “The Play In regards to the Child.”
“It was my extraordinary luck at a really superior age to work with Marian,” Murray as soon as stated. “She was a number one girl, and I actually have to make use of each these phrases actively. She was main. And if ever there was one, a girl.”
Murray liked to inform the story of how Seldes caught an early preview of a manufacturing of “Tartuffe” that he directed.
“It was dreadful,” he stated. “I used to be hanging my head and she or he got here as much as me and stated, ‘Darling, it’s acquired to get higher!’”
Craig Zadan, the film, theater and TV producer, additionally died this week — at 69, from problems following shoulder surgical procedure.
He produced the revival of “Guarantees, Guarantees” starring Kristin Chenoweth, in addition to 2002’s film musical of “Chicago” and the dwell TV broadcasts of “Hairspray” and “Jesus Christ Famous person.”
Many Broadway followers have his e-book “Sondheim & Co.” of their libraries. Zadan, who as a younger man was near Stephen Sondheim, wrote it within the 1970s and ’80s.
Whereas there have been many different books about Sondheim since then — two by the good man himself — for my cash, Zadan’s continues to be the most effective. Sondheim gave him many hours of interviews and spoke candidly about his musicals “Firm,” “Follies,” “A Little Evening Music” and “Merrily We Roll Alongside.”
“Sondheim & Co.” has good gossip however isn’t malicious. It’s clear Sondheim trusted Zadan, and the composer’s assessments of his reveals are full of life and sharp.
It’s a e-book properly value re-reading, or catching anew.
You possibly can hear Michael Riedel weekdays on “Len Berman and Michael Riedel within the Morning” on WOR radio 710.